Antique Solid Silver Salt Cellars Naturalistic Flower Design - William Bateman 1832

Description and Details 

We are delighted to have acquired and offer this magnificent pair of salt cellars made by William Bateman II in London, 1832. 

The set presents a spectacular naturalistic design, drawing inspiration from nature's free-flowing, asymmetrical and enchanting beauty. 

The bowls are ornate and crafted in the form of a flower (possibly morning glory) its base featuring a foliate stem and base. The top portion flares out beautifully with a silver gilt interior which not only provides a lovely contrast to the silver but also protects the silver from tarnishing with the content held within. 

The foliate foot also presents a noteworthy array of silversmithing techniques and splendour. Each section has been meticulously stippled to create a matte texture and then hand chased for further depth. 

Such splendour displays how much time and effort would have gone into creating each piece, and is suggestive of the status of its owner. 

Owing to their versatile form and being a pair, these salts not only offer a wonderful aesthetic in an interior setting but could be used practically in the modern day with some creative uses. 

Whether it be for plenty of salt/pepper at a dinner party or as a rotating sauce/condiment selection for the dinner table, we believe such pieces present a versatile offering in addition to their splendour. Some further creative ideas may include: single sorbet servings, caviar dish, jewellery storage and small confectionery servings.

The pair have also been hand-engraved with a crest and motto "Justitia". 

Overall, an exemplary pair of artistic and naturalistic salts, perfect for elevating any interior dining setting or for discerning collectors wishing to add a distinguished set to their display. 

A full set of English hallmarks is present on the side of each bowl. 

*Please note: all images with other items are for display purposes only, this listing is for the item mentioned in the title.

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